Hans Zimmer’s favorite Batman score isn’t what you’d expect


Hans Zimmer has revealed his favorite Batman sheet music, calling the musical arrangement “the most glorious Batman statement” he has ever heard – and that is the work of Elliot Goldenthal on Batman Forever and Batman & Robin.

Speaking to IGN, the award-winning composer, who previously worked on the scintillating scores for Christopher Nolan’s Dark Knight series, reflected on the development of his career and his experiences with other maestros in music over the years, including those who made Batman. films such as Danny Elfman and Michael Giacchino.

Zimmer examined what makes a good Batman score by thinking about the distinct sounds of each composition before declaring Elliot Goldenthal’s musical number “the greatest Batman score of all”. Zimmer said he was invited to Poland to take the concert stage to play Inception, where Goldenthal presented his superhero sequel.

“It was the happiest moment of my life, how his artistry, his skill, his writing daring and his imagination completely wiped the floor with my little piece Inception. And his thing was just the statement. most glorious Batman I have ever heard of, “Zimmer said of Goldenthal’s music.” It was just amazing. It was amazing and everyone knew it. “

“It’s good when you can say that someone has done something that you’re immediately, incredibly familiar with, and done it so much better than you could ever do, and you can just be inspired. and rejoice, “Zimmer added, admitting that it comes with the realization that you could maybe” get a little more education “and” work a little harder. “

Goldenthal took over from Danny Elfman to compose the score for Batman Forever in 1995 and then returned with director Joel Schumacher to score Batman & Robin in 1997, showcasing a fun and unique style that touched a different kind of chord. Zimmer gave Goldenthal the credit he felt he deserved after reflecting on his own work.

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Zimmer identified his sheet music for The Fan by Tony Scott as one of his least popular scores, admitting that “no one went to see” the film when it was released in 1996. “It might not have been the greatest movie in the world, ”he said. . “But I think it’s a pretty good score, I think it’s a pretty daring score so I rather like this one. And it’s not for the faint of heart.”

He also highlighted Ridley Scott’s Hannibal as another film with an underrated score, which he approached as a romantic comedy. “I think I wrote my best love theme in this one because I always thought that Hannibal Lecter had no reason to live without his obsession with Clarice Starling, and vice versa”, a- he explained. “He gives it a purpose.”

Acclaimed composer Michael Giacchino writes the music for Matt Reeves’ The Batman, due out March 4, 2022. He recently shared a clip of an orchestra performing part of the piece, which aligned with the visual tone and l atmosphere present in the franchise. the first reboot trailer, with a suitably gothic, haunting and dramatic sound.

Adele Ankers is a freelance writer for IGN. Follow her on Twitter.


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